When the climber finally stands at the top of the world, it’s a moment of triumph. But he knows the peak is not a place to linger.
Let's talk about Sarubhakta, a literary gem from the enchanting city of Pokhara, Nepal. His name might ring a bell if you're into Nepali literature, and if not, you’re in for a treat. This author has a knack for weaving human philosophy, existence, and nature into his works, painting vivid pictures of Nepal's culture, geography, and environment.
Sarubhakta’s bookshelf is impressive, with bestsellers like Pagalbasti (“The Village of the Insane,” 1991), Taruni Kheti (“Farming of Young Girls,” 1996), Samaya Trasadi (“The Season of Terror,” 2001), Chuli (“The Peak,” 2003), and Pratigandha (“Reflections of Bygone Days,” 2019). He even bagged the Madan Puraskar in 1991 for Pagalbasti, which is no small feat—it’s one of the most prestigious awards in Nepali literature.
Now, let’s dive into Chuli, translated as The Peak in 2012 by Subhash Ghimire. This novella isn't just about climbing Everest; it's a gripping exploration of human determination, solitude, and the harsh, yet beautiful, dance with nature. It's also part of the curriculum for Tribhuvan University students, so you know it’s got some serious intellectual heft.
His novella “The Peak” intertwines Everest's challenges with human determination and existential reflection, a gripping exploration of resilience and nature.
Our protagonist in The Peak is a mountain climber with a singular, unwavering goal: reach the summit of Everest, no matter the obstacles. Right from the start, you can feel his raw confidence, mixed with an undercurrent of anxiety about what lies ahead. He views the journey as a solitary mission, driven by a powerful mantra: “Succeed!”
As he ascends, the narrative draws you into the climber’s world of snowflakes, struggles, and looming avalanches. Sarubhakta masterfully captures the dual nature of Everest—its awe-inspiring beauty and its deadly challenges. The excitement of the climb is palpable, but so is the ever-present risk.
When the climber finally stands at the top of the world, it’s a moment of triumph. But he knows the peak is not a place to linger. Descending, he reflects on a haunting thought: “Most people don’t crash into failure, they crash into success.” This line resonates deeply, hinting at the unforeseen dangers that often accompany great achievements.
As he carefully makes his way down, the atmosphere thickens with foreboding. The weather worsens, and nature’s fury becomes an insurmountable force. Tragically, the climber succumbs to the harsh elements, and the novel concludes with his demise.
Thorns pierce others but do not pierce themselves. Everything freezes in the mountains, but the heart does not.
The Peak is more than just a mountaineering story. It’s a philosophical journey, packed with powerful, thought-provoking lines: “Life is a beautiful poem of risks,” “Thorns pierce others but do not pierce themselves,” “Everything freezes in the mountains, but the heart does not,” “Life without a purpose is death,” “Death is not a purpose,” and “Life is all about playing hide and seek with accidents.” These lines echo the climber's inner struggles and the existential questions that haunt him.
Sarubhakta’s writing is subtle yet profound, presenting the stark realities of mountain life with a minimalist touch. The climber’s journey mirrors the lives of people in the mountain regions—full of sorrow, struggle, and unyielding resilience. “Strength comes from struggle,” the novel seems to say, capturing the essence of human perseverance.
In The Peak, Sarubhakta has created a work that is both a thrilling adventure and a deep philosophical meditation. It’s a rare gem in Nepali literature, offering readers a glimpse into the relentless spirit of those who dare to climb, both literally and metaphorically. So, if you’re looking for a story that’s as captivating as it is thought-provoking, The Peak is your next must-read.
Ashok Thapa, born in Pokhara, Nepal, is a professor of Nepali literature at Tribhuwan University in Kathmandu. He holds a doctorate in Drama Studies and a master’s degree in Library Sciences. Thapa has authored four books and numerous research articles on drama, theater, and Nepali literature. Starting his literary journey in 2000, his latest short story collection, Santapko Dhoon (The Cadence of Sorrow) was released in 2023. An acclaimed author and critic, he advocates for writing and publishing initiatives.
Sarubhakta: Scaling the Heights of Human Spirit and Nature's Fury [by Ashok Thapa]